一直作為(wéi )米(👷)路斯.科曼(màn )劇(jù )本鐵三(sān )角((🍩)另一位是(shì )帕培錫,也是本片(piàn )編劇(jù )之一)成員的艾雲(yún ).巴薩(sà )(🏴),當然也走低度戲(🌫)劇路(⏬)線。同(❣)是(shì )(🌗)音樂(lè )家的(😎)彼德(🖲)與卡洛老友重(chóng )逢,生(🛍)活狀(🕖)況大不同,你有(🥄)伴侶(lǚ )我(wǒ )有(yǒu )家(🐖)庭,然(rán )而都有說不出的不(bú )明朗,唯有以(yǐ )酒與音樂(lè )(🐖)代(🤷)替口水。全片推(🧚)展(🚣)不問目的,只在(zài )剎那間的意圖,行行企企(🥎)比起科曼更義無反顧,卻有生(shēng )活(huó )淡如流(liú )水的(💪)詩意和繆(miù )思(🍄),叫觀眾聯想到二十(shí )年後(hòu )的伊力.盧馬。巴薩(🐀)鍾愛音(🧣)樂的程度不下於文字和電影(yǐng ),古典(🍑)音樂與(yǔ )民間(jiān )音樂於全(➡)片(piàn )(🏻)迴轉迴盪,難怪成了奇斯洛夫斯(📟)基十大(😝)心(xīn )愛電影之一。 (📧) 康城(⏲)影(yǐng )展青年(nián )評審團獎(👵),美(měi )國全國影(🏃)評(🔞)人協會特別(🌂)獎(jiǎng ) (🐖) 這(zhè )部1966年(📞)的(⏳)珍品(🚽),是捷克(kè )新浪(làng )潮短暫生命中最佳作品之(👩)一(yī )。成名(❓)音(📬)樂(✖)家到(dào )小(xiǎo )鎮探訪舊同學(xué )(🏸),舊同(tóng )學(⏺)是個窮音樂教師,有時(💕)在喪禮(lǐ )上(🐱)吹奏樂曲(😲)。平凡的素材在巴素手裡,變出風(🐇)趣復罕見的旋律,一部憂鬱(⛎)的喜(🍝)劇,或灰色(👔)喜劇(jù )。 (🏁)- Dave Kehr, Chicago Reader (🔂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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